Skip Navigation.

Repairing A Digital Camera

June 2nd, 2008

It would be ideal if you never had to use a digital camera repair service but the chances are that you will have to find one during the life of your digital camera. If you have bought your camera carefully then it should have a lengthy digital camera repair warranty. Even if your camera is still within the warranty period for digital camera repair then you still have to ensure that you meet the requirements of the warranty.

No digital camera repair warranty covers damage caused by abusing the camera or incorrect use. You also need to check what paperwork you have to send off with your digital camera repair for it to be carried out under warranty, such as the sales receipt and completed warranty card. Your warranty will provide instructions for how to obtain a digital camera repair and the procedures to follow. It is important to use a digital camera repair service authorised by the particular manufacturer of your digital camera to ensure that you do not incur any extra costs. A digital camera repair carried out under warranty will not cost you anything unless the equipment needs to be returned to the factory, in which case there are shipping charges.

One of the most frequent problems that require a camera to be sent to a digital camera repair service is a zoom lens that will not zoom, because the lens is out of alignment. This may have been caused by rough handling or some type of impact which will not be covered by the warranty. If your camera is not able to focus then it will not fire and may print out ’system error’ or not turn on properly. It is a relatively simple process for a digital camera repair service to realign the zoom lens or reset the zoom barrel guide pins that may have been pushed out of their slots, and this will then enable the lens to focus and zoom. The cost for this form of digital camera repair will vary from service to service but it should be a relatively quick job, as long as the digital camera repair company has the correct equipment onsite. It is worth checking before you decide which digital camera repair service to use that they have the necessary equipment and expertise to carry out the repair and not have to send it away.

The best digital camera repair services have skilled digital camera repair technicians that specialize in repairing certain types and brands of cameras, hundreds of specialized tools to properly service your camera and some may also have custom test jigs to help complete repairs more effectively and efficiently.

Steve Gargin is the administrator of digital-camera-reviews.helper-guru.com/5000-camera-digital-olympus/index.html which is a great website dedicated to giving free advice on Digital Cameras.

Digital Photography: Choosing Your 1st Digital SLR

April 16th, 2008

Here are some basic things you have to look at when purchasing your digital camera. Purchasing a digital camera maybe be a costly expense but the need to choose one that fits your shooting style and needs will count a lot.

Things to consider:

1. Price: What price range are you willing to spend? Are you planning to get a point
and
shoot or do you want a Digital SLR? For long term purposes, I would recommend
getting
a DSLR because it will cost you less. I would suggest that you buy a camera you can
grow
into rather then getting a camera than you will grow out of.

Spending on a cheap point and shoot now and upgrading it later to a better featured
camera
maybe costing you more in the long run considering you have to invest in accessories
and other
photographic gear.

2. Technology. There are so many arguments that you should get an up to date camera
because it is too
expensive. Well I would suggest get a camera with features that are up to date and that
your money can afford.
It does not make sense to buy a cheap model because it is out dated or discontinued.
Generally parts for
older cameras become more expensive because they have to be stocked because
they are not current
market models anymore and not everyone keeps stock of old parts.

3. Memory Cards. All cameras use Memory card but choose a camera that uses
something that is easy to
find and use. Some may use compact flash cards, smartmedia, sd/mmc cards, xd
etc.. Some of the memory card
prices have been going down because of volume of usage. It would be safe to go
with cameras that use Compact Flash
and SD cards.
4. Battery Life. All cameras come with rechargeable batteries. choose one that will fit
your shooting
style and something that can give you freedom to carry and extra set when needed.

5. Optical Glass. Not all lenses are created equal. do you need fast lenses? do you
need lenses that can capture
photos in low light situations? Prices of lenses depend on the quality you are buying
and the specific uses you need
them for. The better the quality of the glass the more expensive. Check and see
what works for you.

6. Megapixel count. the higher the megapixel rating the better and finer the photo
will be and
the easier it would be to enlarge your photos without getting the jagged edges that
happen to low resolution cameras.

7. Body and Styling. Make sure that you get a camera that fits well with you and is
solid for your specific uses. Get something
that is sturdy and easy to use.

Follow your instincts and trust your own sense of style and judgement to find that
camera that best suits you
and your style of shooting. Always remember that the Camera is just a tool to
capture your creative style of shooting.

About the author: Anton Sheker is a photographer based
in Philippines. For more home and garden articles visit his site
online at http://www.photo.net.ph/blogalicious

Anton Sheker is founder and member of the World Photo Directory http://www.worldphotodirectory.com

Options for storing, retrieving and viewing your digital photographs.

February 2nd, 2008

If you’re just starting out with a digital camera, or you are considering buying a new camera, and you like what you’ve heard about digital photography, you probably have a few burning questions about the technology. What replaces the film? Do you need a computer? What process replaces getting your pictures developed, and how can you store and view all your photos without having to print them off? This is a short guide that will answer these questions, and give you an idea about what your options are as far as storing, retrieving, and viewing your digital photographs goes.

When you take a picture with an optical film camera, you have a shutter opening for a fraction of a second, exposing photosensitive film to the light which is projected into an image by the lens, onto the surface of the film. The film stores a negative color impression of your image. Later it is “fixed” then developed into a “positive” true color photograph in a dark room (or these days, a compact machine which performs the same task.) When you’re done, you get a copy of the fixed negative, and the true color photo. The principle of digital photography isn’t much different. A microprocessor-controlled photosensitive microchip-wafer is programmed to become receptive to light projected onto its surface by a lens for a fraction of a second. The chip then digitizes that image into a sequence of tiny colored dots, called pixels. This information is stored as a numerical sequence, which is then recorded to the camera’s “memory”. This is the important part. A camera usually has a small amount of “on board” memory, sufficient to store somewhere between 15 and 100 photos. The amount of space that a given photo takes up on the memory depends on a number of factors, but quite simply, the more detailed a digital photograph is, the higher the number of dots used to produce an image is, and therefore, the sequence of numbers representing those dots is longer. So, a high resolution digital photo takes up more digital space in memory.

The great thing about digital memory is that it can be written to, and read from not hundreds, but hundreds of thousands, or even millions of times, without wearing out. Because cameras only have a relatively small amount of on board memory, removable memory cards, termed “flash cards” have been developed to store larger amounts of data. While your camera may store 15 or 20 high resolution photographs on it, flash cards can store between a couple of hundred, and several thousand such images, depending on the digital capacity of the card, and the photo quality. A flash card is a thin wafer, between roughly 1/32″ and 1/8th of an inch thick, and usually not much larger than an inch square. There are several different formats of these cards in common use, and they make up the bulk of common image storage devices. These include: Secure Digital; CompactFlash (1 and 2); Memory Stick; MultiMediaCard; xD-Picture Card; and SmartMedia. All of these are usually abbreviated to their initial capitals. Of these, SD and CF are the most common.

You may have heard that all computers speak in 1’s and 0’s before, and this is true. The standard unit for measuring digital data is “bytes”. For the purposes of this exercise, 1 byte is always equivalent 8 “bits” which are either a 1 or a 0. So a sequence of eight 1’s and 0’s is 1 byte. This is a very, very small amount of data. On a computer, a byte is only enough information to store a single character, such as the period at the end of the sentence. To make things easier, we work in kilobytes kB (1024 bytes), megabytes MB (1024 kB), and gigabytes GB (1024 MB, or 10243 - that’s 1,073,741,824 bytes!).

To give you an idea of scale, your medium or low resolution photographs on your camera are probably somewhere around 500kB, and your highest resolution photos are probably around 2.5MB. Commonly available flash cards range in size from 64MB, 128MB, 256 MB, 512 MB, 1 GB, 2 GB, 4 GB, 5 GB, 6 GB, and a few 8GB flash cards have recently been released. This means you could store more than 3000 very high resolution photographs on an 8 gigabyte flash card, no larger than an inch square! The smaller cards are much more cost effective, with a 512MB flash card being between $10 and $20 new. The 8GB ones are closer to the $250+ mark, and represent the pinnacle of miniaturized consumer-grade data storage. And for one final trivial point of reference, computers these days come with hard disk drives ranging in capacities between 80GB, and 500 GB, which makes your computer an attractive option for storing your photos.

If all that didn’t make a lot of sense to you on the first read, don’t worry. It’s a subject that gets more complex the deeper go in, and people devote their lives to its study. The beauty is that you don’t need to fully understand it to use it effectively. For a handful of dollars, you can store many hundreds of images. You can reuse your flash cards almost indefinitely. They will eventually get a scratch or crack from the friction of being removed and used, and they are very sensitive to static electricity, so eventually, they will fail. For this reason, it might be a good idea for you, or a friend with a computer, to back up your photos onto a more resilient medium such as a data CD or DVD.

This brings us to the next point: Do you need a computer? The short answer is no, but it helps. Fortunately, the market has developed whole product ranges for people who wish to remove the computer from the equation altogether, recognizing the demand that existed for such options. These days you can buy high-resolution printers for the home capable of producing photos almost as good as what you can have developed at the pharmacy, that plug straight into your camera, or have an on-board card reader. If you have a particularly nice photograph you want professionally printed, most photo developers have facilities to do just that. All you need to do is bring in the flash card or camera that the image is on. What a computer does offer you is a convenient way to edit and sort your collections. You can still view your photos on the camera itself, and most cameras are capable of plugging into your television, thereby allowing you to go through your photos like a slide show.

Never before have we had the ability to store so much information so easily. There is a huge range of options for storing your photos, and if you most like the idea of a sort of digital reusable film, capable of storing hundreds or thousands of photos, then you can pick up a small handful 512MB flash cards, and have a photo album so big you could never fill it. But if you do, never mind: I hear there’s a 16GB Microdrive on the way …..

Ron Donnelly is editor of the digital camera site, buying-guide-for-digital-cameras. You can visit the site at www.buying-guide-for-digital-cameras.com

Six Clues On What To Look For When Starting A Photography Business

February 1st, 2008

What you should be looking for when starting a photography business is a rough business plan that suits your personality, your goals for your business, one that enables you to be organised and motivates you to convert your dreams and theories into action. A business plan can be drawn up for you and tailored to your specific needs by a qualified business coach or you can do it yourself. A business plan gets your business off to a perfect start and includes planning everything from what you will charge for your photographs, to your finances, and marketing strategies.

Important elements of what to look for when starting a photography business that is to be included into your business plan are the prices you should charge for your photographs.

Knowing what price you should charge your customers for your photographs will be based on your costs you have had to outlay in starting your business as well as your research on what other photographers are charging. To give you a good idea of how to price your photographs, look at the prices that other photographers who are new to the scene charge, and also look at what photographers who do similar work and services to you charge. When your business gets up and running and grows to be more successful you will be able to look out for the prices your competitors are offering, match it or better it. If your name becomes well known and your photography becomes the “latest thing”, then you will be able to charge your customers more for their privileged access to your services, however in a more realistic situation when your business grows, you will most likely lower your prices in order to compete with other photographers. If you find that your particular style or avenue of photography is in great demand, or there are few photographers who have a similar style of work to what you do, you will be able to charge more for your photos. There are also scenarioes where you can raise your prices for special services but there is much more on that in my eBook.

An essential factor in starting a photography business is the amount of finances you will need to run it successfully, including the hidden and ongoing costs involved with all businesses. In relation to finances, start with what you are comfortable with, but your business (in order to be successful) must be backed with a realistic and reasonable amount of funds, including the costs for marketing that is essential to build your business, and you should always allow for an increase in the marketing budget as sales pick up.

Ensure your marketing strategy is making the most of your money, getting your name and services out there. No one will know about you unless you sell yourself and display how beautiful/clever/funny your photos are. Your marketing strategies need to include a clear description of your business name, your experience and/or qualifications as a photographer, display your flair through example photos, the services you offer, the type of photographs you take, your prices, and most importantly where and how customers can find you/contact you.

What to look for when starting a photography business: Some important points and questions to consider;

Does your advertisement/website present your business name and your services in a clear and attractive manner? Ask yourself, “Would I be interested in the services that this photography business offers?”

If you have a website is it easy for your customers to navigate through, or is it like a maze? Your website can display your personality, however it must be presented in a professional manner, where customers can find the information they are looking for quickly and easily. We live in a fast paced society, often if people can’t find what they are looking for within one minute on your website, they will most likely move onto another one.

How easy is it for customers to access your services? Make sure that your contact numbers/addresses are easy to find and clearly visible (to people of all ages) both in your advertisements and on your websites. Have a look at the advertisements yourself, and get your family and friends opinion too, doing this may save you money. Tip - make your phone number in larger type on our business card. After all, that’s really the only reason you should keep them, so that people can quickly and easily contact you. Not marvel at the motto or pretty typeface.

If you want your photography business to work through an agency, research and trial the company/agency offers to sell your photos first. Ask yourself “Am I satisfied with the results?” In order to answer this question, you may want to review the initial goals you had for your business, and also research/compare other photographer’s experiences with that same or a different agency.

You should not charge unrealisticly high prices for your photographs to make up for the loss of finances and ongoing costs in starting your photography business that you did not account for. You must start your photography business with a realistic amount of finances to support your business through the initial challenges and slow times. This may include having other sources of income to support your photography business in its infant stage.

It is essential to follow and to adapt your business plan, continually review and focus on your goals, learn from your mistakes, and to research and seek help when in doubt.

This article has been supplied courtesy of Roy Barker. Roy often writes and works closely with Profitable Photography Business. If the previous link is inactive, you can paste this one into your browser - profitable-photography.com This site is dedicated to coaching you in starting your own photography business but places a strong emphasis on profitability issues & guidelines. You can also gain many photography resources (some free) from Photography or if this link is inactive, you can copy and paste this link into your browser - profitable-photography.com/resources.php

Roy Barker - EzineArticles Expert Author

How To Take Better Kitten Pictures

December 20th, 2007

I compare my kitten with my kids and the love for my kids is equal to the love I have for my kitten, and that is why I make time to take my kitten pictures as my kittens grown into a lovely adult cat.

When anyone visits my home, they notice how well groomed my kitten is, and how well treated, and they also notice the collection of pictures I have of my kitten, I place my kitten pictures all over my home.

Well, this article isn’t about me or my kitten, it’s about taking better kitten pictures, and here are 5 tips for doing just that:

1. Always try to avoid sudden movements
If you wish to take better kitten pictures, then you should learn not to make any sudden movements and always use better quality high speed film, and use a digital camera with no shutter sound.

2. Lower your camera angle to the height of your kitten
Any kitten picture you wish to take, should be at an angle that is equal to the height of your kitten. This is for much better pictures and also some very cute facial expression that your kitten shows once they start staring down the lens.

3. Always make sure your kitten is well fed
This tip is the most important of all, it is very difficult to take kitten pictures of a hungry kitten, they won’t stand still long enough for you to be able to get one shot. That is why it is so important to make sure that the kitten has just been fed, before you try to take any picture of your kitten. Wait at least 15 minutes after the you just fed your kitten. It is also very wise to study your kitten movements, that way you will be sure when you kitten naps, and what time is best to start taking your kitten picture.

4. Always have a couple of their favorite treats on hand
A tip I leant online, was to always have a couple of your kitten favorite treats with you, that way you will give them a treat anytime they start to get rowdy.

5. Try to keep thing simple
The best kitten pictures I have taken was when they least expected it. I try to keep things simple and never ever try to take too many pictures at a time. The kitten will become frustrated and walks away,and it is very difficult after that to get your kitten to stand still for any more pictures.

Now you that you have discovered a couple of my simple trick for taking better kitten pictures, you can visit my website and post those kitten pictures online, so the world can see the love we have for our cats.

Alexander Marlin, has a web site that host kitten pictures from around the globe. Just drop by and post your kitten pictures or cat pictures, it’s all free.

Find Good Digital Photo Prints at a Great Price

November 2nd, 2007

It seems that there is usually a trade-off when it comes to finding a digital photo printing service. In order to obtain good quality prints, a customer probably will have to shell out a little extra money. On the other hand, a customer who is stingy with their money will most likely be left with pictures that leave something to be desired in the area of quality. These ideas represent the stereotype within the digital photo printing community that less cash equals bad prints and the only way to get good ones is to shop at high-priced companies. However, there is a way to find cheap digital good photo printing quality if you take the proper time to look.

The first step on any quest to get good digital photo printing at cheap prices is to do an online search that compares the price per print of different websites. You’ll find also find other options that enhance the pricing packages offered by companies such as membership programs and discounts on bulk orders. After ranking the different websites in terms of price, it is time to check out some reviews on photo quality. Begin by searching for reviews on the sites that offer deals within your price range and compile a small list of companies that have what you desire in terms of quality. When you narrow the search to the most attractive website in terms of quality and price, you’re ready to start ordering some pictures.

Although price and quality should be the main determinants in your search for cheap digital good photo printing quality, other factors still remain. Some websites are cluttered with pop-up advertisements that can hamper a person’s efforts to order pictures and in turn, waste precious time for busy people. Other companies only allow a person to store pictures on their online albums for so long before they are deleted. There are sites that do not enhance digital photos of low quality as well. Make sure to keep an eye out for these other factors so that you can find the best bargains available for your digital photo needs.

To view our list of recommended sources for digital photo printing online,
visit this page: Photo Mugs.

Memories Are Forever When You Create A Photo Album

October 31st, 2007

It took the digital camera to make me finally create a photo album. You see, I had a virtual photo album on the computer, one which would show the images that I had taken, and where I could arrange them in whatever configuration I wanted.

I realized then, that I had to create a photo album, or forever lose track of all of my precious memories. I simply didn’t know where anything was anymore, so I set off to by a lovely hardbound book to create a photo album to organize all of my most precious pictures so that I could show them.

With the prevalence of digital cameras and the fast pace of life, few people really take the time to create a photo album anymore. This is really a shame.

I could even design covers or text for my digital photo album, which was pretty neat. It was so convenient, that I rarely bothered to look at my old pictures any more. I just wasn’t up for the effort of digging through them anymore.

I had always kind of wanted to create a photo album, but had never gotten around to it, and over the years I had become pretty good at hunting for just the image which I wanted in my box of pictures.

Then one day, I was having over my sons fiance. She’s a sweet girl, and I decided to embarrass him and make her feel part of the family by showing off some of his baby pictures. But when I looked for them, try as I might, I couldn’t find them at all.

When you create a photo album, you make something that not only showcases your photos, but arranges them in the personal style that shows you really care about what you are doing.

If you make your own photo album, you can not only select what photos to include, but what kind of book to use, how many per page, and where in your home to display it.
I first decided to create a photo album about a year ago.

Ironically, I didn’t even think to create a photo album until I had been using my digital camera for a good while. Back when I used to use my normal, analog camera, I would keep all of my pictures in boxes, and I could go into them and look at them whenever I wanted.

Life is an accumulation of our cherished memories save them by creating a photo album.

Photography A - Z the Easy Way: D - Depth of Field

September 10th, 2007

When you take a picture not everything will be in focus. You may hear a lot said about “depth of field”. Don’t be confused by this terminology – it’s easy to understand and, used correctly, will help your images have more impact.

In any picture, there will be areas in the foreground (in front of you subject) and areas in the background (behind your subject) that will be out of focus. If you take a picture of your dog on the lawn, both the grass in front and the fence behind will be less sharply in focus that the dog itself.

The area between these two out of focus parts is known as the “depth of field” and can be seen as the parts of the image, from front to back, that are in focus.

But, it doesn’t stop there!

The size of the aperture that your lens is set at for the shot will determine the depth of field. A larger aperture (small number) will have a small depth of field whereas a small aperture (large number) will have a greater one.

There’s more!

The distance away from the subject will also change the depth of field. The picture of the mountain in the distance will have a large area of focus whereas the close up of the bumble bee on a flower will have a tiny depth of field.

More …

What does this mean?

You may want a large depth of field so that as much as possible is in focus. This is a technique particularly useful in landscape photography. In this case, move away from the subject and use a small aperture.

On the other hand, you may wish a small depth of field. For a close up shot (for example of the bumble bee) the shallow depth of field will isolate the bee by blurring the background. This is useful for other shots as well (for example, portraits). In these cases, use a large aperture and get closer to your subject.

It’s easy!

Eric Hartwell runs the photography resource site http://www.theshutter.co.uk and the associated discussion forums as well as the regular weblog at http://thephotographysite.blogspot.com

Creating Portraits

September 4th, 2007

Portraits are not born, they are made. They are created in the mind of the artist from portions of the subject, experiences, lighting and composition. Some general parameters should be set early on.

A somber, serious mood is enhanced by dark background tones, contemplative expressions, loose low-toned clothing, and deep, but open shadows. A happy, carefree atmosphere is set more convincingly with light, airy background tones, piquant expressions, pastel casual clothing and soft, ubiquitous lighting.

Props should be kept to a minimum. Allowable is anything which will support the mood and which will not detract from the main subject. A high key portrait can be enhanced with a white wicker chair, a loose white flower arrangement out of focus in the background or a high-keyed landscape judiciously placed off center, blending with the other background tones. A large, dark sculptured bowl of red apples, a black poodle, or a dark-toned piece of furniture in the background would contrast too sharply with the generally light toned subject and background. Attention diverted to these items due to their strong intrusion in the composition is lost to the main subject and detracts from the ambiance.

Attention should be paid to the lines created by the subject and other components in the composition. Lines leading strongly out of the picture should be avoided. Rather use curves to bring the eye back to the main subject. Moveable items in the composition can be place to complete gap in a leading line so as to facilitate the eye in its movement around the work. Invisible paths of light can be created with the use of similar colors, a repeated pattern or item, or the play of light and shadow along an edge. Where possible choose components with care, preferring meaningful items which play a part in the life of the subject, rather than an object chosen solely for its shape and color. For instance, if the subject is a potter, choose an attractive urn instead of, say, an antique doll which has no place in the subject’s interests.

The light that falls on the subject can be used to support the mood. Natural window light suggests an old master genre and the sharp golden rays of a small source of light created the highlights necessary for a mood with a positive spin. Any available light can create a beautiful portrait if the direction and ration of light to dark is controlled. Reflectors add light to a dark, shadowed area, scrims or shades can tone down a too-strong source. The direction or the main source of light should enhance the features by sending light into the eyes, outlining the jaw and cheek, and finding the proper areas to highlight. Additional highlights are supplied with back or side-back rays of light, as long as their effect does not invent unwanted facial highlights or block up needed detail. Pure rim lighting is fairly safe if used with care.

Forward planning a portrait gives the artist an important edge toward making a successful portrait. Proper clothing, location, time of day, weather and needed props go a long way in helping the artist concentrate on the critical tools present in the mind of the artist.

I search every face for strong and weak points.

Camera Tripod Variations & Uses

August 6th, 2007

In simple form, a camera tripod is best explained as a three-legged stand used to stabilize and elevate a camera. A camera tripod can be used in either still or motion imagery. Most commonly used by professional photographers in a studio, a camera tripod is designed to capture the perfect image every time.

A camera tripod is available in several variations, including floor model or tabletop. The least expensive begins at $50.00 and goes up, depending on the size and features. A basic camera tripod is designed for consumers and is best used for amateur photography or filming. An expensive camera tripod features feet suitable for rough ground and the head of the unit is designed move smoothly for improved video recording. The most expensive, which are used is studios and professional filming, are made of wood.

A full-size camera tripod is much better equipped to handle heavier equipment, whereas a tabletop model can accommodate up to 50lbs. These portable units are ideal for traveling and where compact equipment is needed.

There are several ways that a camera tripod can be used, including a family portrait where you want to be included in the photo. Simply set the camera up on a tripod and position it so that everyone is in perfect view, set the timer on your camera, push the button to take a photo and get into place with the family. Other uses may include an instance where your hands are shaky and you want to stabilize the camera for a quality image or if you are responsible for taking school pictures. Do you remember the days of middle school when the photographer would come into the gymnasium, set up his/her background sheet and tripod? All he/she had to do was to situate the child, convince him/her to smile and snap the picture. A camera tripod makes it easy to take multiple photos, in which the subjects are in the same location, without having to worry about placement every single time. With a tripod, placement is always perfect so long as the subject is where he/she should be.

When shopping for a camera tripod, first consider the uses that you will need it for. The weight of your camera, the needed features and swivel capabilities, the locations that the tripod will be placed and the needed height. In addition, a realistic budget that you can afford will be best considered early before shopping for a camera tripod. Most photography supply stores, both online and local, may offer camera tripods. Before purchasing, be sure to check out the dealer’s reputation with the Better Business Bureau and also learn about their return policy.

To get more facts about camera phone, check out our website at www.top-camera-phone-guide.info for lots of free camera phone information and reviews.